2D in 3D (A Certain Scientific Railgun)

This post was meticulously filed under Anime on November 19, 2009 – 12:27 am
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So this was originally a light novel series right. Unfortunately I don’t have the light novel translations so I’ve been left to suffer the characterization inconsistencies between the manga and the anime. I can’t argue for what was intended so instead I have to bite my tongue since I realize it would only come down to preferences. So this post will be about Misaka. Hurrah, I can already empathize with the many rabid fanboys drooling on their keyboards, but sadly I will be talking about her metamorphosis using Manga pages since it’s so much easier. I’ll also warn you now I’ve included about 25-30 manga pages (with no spoiler material if you’ve watched all of To Aru Majutsu and up to a few episodes ago of To Aru Kagaku).

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Most characters start as stereotypes through no fault of the writer. When we greet Toma running away from some thugs some of the first words uttered from his mouth become his catch phrase “So order online pharm unlucky”. This is a common trait in anime heroes. Their ‘misfortune’ creates conflicts while providing comic relief and an easy out for self pity. Misaka’s introduction on the other hand serves a much more interesting purpose.

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First she’s a badge our hero can wear when he protects her in an all too common scenario. For the next few scenes he is a protector of girls being harassed by delinquents. He’s a stupidly brave good guy.

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However, she quickly steps into a much more important role; she shows the where to buy doxycycline viewer/reader that Academy city is not all that it appears. Someone who looks weak might not be weak at all, and those who look strong might be tadpoles lost in the ocean. She’s also the first character that Toma gets to really online the diet pills buy Ampicillin interact with and their interactions, in my opinion, are the best part of the show.

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Thus Misaka’s third purpose is to be a source of exposition. Between Toma and Misaka we’re allowed to get a small introduction to how this whole Academy city thing is going to work. Then we approach our initial impressions of Misaka and what kind of character she is.

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Pretty obvious right? “I cannot allow someone stronger than me to exist”. Once again she’s a foil for the main character buy online tabs Toma, the writer flaunts her as extremely powerful and by Toma standing up to her we also gain that he’s powerful by association. Most importantly though we’re forced to view her as someone who starts unnecessary fights. Toma was shown to have somewhat noble reasons for being there and only defends himself. Misaka on the other hand is just an angry person going around frying people. Of course this doesn’t last and we can place these attributes on a larger picture now that we know more about her, but originally that was all she was.

So my question to you then is when did Misaka become three dimensional? Was it on their next encounter?

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I don’t really think so. Was it Misaka’s arc? Did she become three dimensional when she actually cared about the sisters? Maybe, there were a few things, though I would like to state for the record crying doesn’t make you three dimensional. No the part of the arc that I thought put her close was this particular interaction.

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And so on and so forth. I’m sorry I just made you read like an entire manga chapter. I would, however, like to point out that this is when she broke her stereotype. It’s not necessarily that she let us see beneath the mask it’s that she has a mask at all. In the opening image we see she’s worried, but immediately covers it up when she interacts with Toma. She’s a little Tsundere, but that doesn’t define her either. Outside of her growing feelings for Toma we see that she is genuinely a good person who doesn’t yet know what her feeling are or how to deal with them.

Like I said, that to me was when she broke her stereotype, but it took a spin off to really define her. I now bring you a few pages of her manga.

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Truthfully this is just my favorite segment of the entire franchise. You should go read it here if you haven’t. It’s a little different from the anime, but pretty similar. You may be asking your empty room right now why I think this makes her three dimensional. Basically it just explains it. It makes her understandable. Toma is a crazy idiot, the one person she can’t make fit into her jigsaw puzzle of a world. It irks her, but it’s also the one thing she needs to change her world view. By seeing a crazy idiot she can justify her hope that there are more selfless people out there.

At this point we stop treating her like fiction and start looking at Misaka as a human being. Before this scene her problems were still a bit incomprehensible and her reasons for attacking Toma we understood on an entertainment level, but not on a personal one. Suddenly she’s just another soul trying to figure out the absurd universe she’s landed in by being close to the things that give her hope.

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I don’t know whether you think this is a big deal or not, but to me it is. Most characters never get to this level. Most of the characters in the franchise never get here (truthfully the only other character I do see getting to this point is Toma and not this succinctly). I could name anime where none of the characters are three dimensional and I could name others where almost all of them are. If you’re wondering what draws me to an anime and keeps me coming back week after week, it’s just been explained a little.

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You may not agree and that’s ok too. I know there are lots of other reasons for loving the genre, but I don’t think they draw you into the story. In the end the plot and setting aren’t that great, magic vs. science is a good idea but kind of poorly executed, and the arcs are rather dull and stereotypical. But don’t tell me you weren’t excited when Misaka had a date with Toma. I’m giddy whenever they run into each other.

I’ve been a little disappointed by the anime, but that’s only because there are some differences in Misaka’s character (compared to the manga).  Is it so bad that Railgun isn’t worth watching? Far from it, it’s incredibly fun watching Misaka biri biri all over everything. And on that note I better wrap this up. It’s almost Christmas right?

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Thanks for stopping by and I salute all the great character writers out there. Until next time :)

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4 Comments

  1. Jason posted on November 21, 2009 at 7:57 pm | Permalink

    I didn’t read the manga so Misaka’s character never really stood out to me. Okay, I guess she feels a lot more rounded and likeable compared to what we saw in the early episodes of Index.

    Anyway I really like this show (Railgun), and I’m surprised that I do considering I dropped Index halfway through out of boredom. Somehow although I cannot quite pinpoint something that they do really well, I really like the overall presentation. Everything seems to fit and complement each other nicely, the overall mood of the show, the reasonably light plot, the music and pretty good-looking art, the likeable (albeit Yuri-tastic) characters and their interactions, and even the OP and ED, which I adore. Everything feels just right somehow, and I end up really looking forward to the new ep every week.

    Oh, and you might want to know, a couple of my friends had blood-spurts when I showed them your last Misaka pic :mrgreen:

  2. Dustin posted on November 21, 2009 at 10:15 pm | Permalink

    haha, that was the intention of that picture. Thanks for getting through my entire post :).

  3. Cloudless posted on November 26, 2009 at 3:56 am | Permalink

    Niice post, I also feel that good characterization is a hallmark of a good anime (which is unfortunately very scarce nowadays). A while back I came to the conclusion that good animes were made from good stories.

    I also thought that the Touma-Mikoto interaction was very interesting, since Touma is Mikoto’s kink in her worldview. On the other hand, I also thought that the Touma-Index interaction was also very interesting until it blew up along with Touma’s memory.. It was a good twist, but it ended a lot of character change in Touma which I thought was interesting.. and they never picked it up with Index undergoing change since she never finds out that Touma lost his memory.

    Which reminds me, they could really have done a lot more with the Touma losing his memory bit. I mean, it could have been the central story on Index side with the magicians serving as a catalyst to drive the story forward as well as lead to the revelation that he lost his memory! Surely this would have repercussions between Touma and Index, which could then be resolved somehow. Course then they could use the opportunity to introduce the Mikoto/Index/Touma Love Triangle. I haven’t read the manga, so I can’t say it’s the author’s fault, that’s just what crossed my mind as I progresed through the story.

    So now, the Mikoto-Touma relationship is one of the few things holding my interest, as well as the world itself.

  4. Dustin posted on November 26, 2009 at 4:44 am | Permalink

    Cloudless! Been awhile since you’ve commented but it was certainly worth the wait.

    I didn’t really like that they blew up Touma’s memory either. I felt like it was a cheap hat trick for sympathy and just blatantly tried to hit us over the head with “there are some things more instinctual than memory” (like protecting cute girls from pain). I definitely agree that it destroyed a lot of the character development. I believe that a lot of the dullness that continued until Misaka’s arc was brought about by the dead ending of the Index relationship. He did all of his fun character developments in their first interactions, killed them, then cheeseballed around until they were close enough that he could do his jokes again. Disheartening to say the least.

    The love triangle is kind of an interesting angle but I’m more interested in the Kamijou clout that the Aztec guy was afraid of. I also really want to know what Touma said to that guy about Misaka (that made her blush profusely).

    I feel like only Touma and Misaka are three dimensional in this anime though. Index still seems somewhat two dimensional and stereotypical. Maybe this was just a bad interpretation by JC Staff but it almost felt like the author lost interest in her which is really too bad. Misaka is just more rich and the vector enemy was just more interesting. Actually I would say that almost all of Misaka’s enemies are more interesting then Touma’s. Maybe because they have interesting reasons for committing crimes. We’ll see how JC Staff handles the rest of the level upper arc (I haven’t been impressed so far).

    There should be way more Mikoto-Touma interaction. I really think it’s what makes the show fun to watch.

    Thanks again for the comment.

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